Radio Program Production (COMS 417)

PROPOSED COURSE PPP OUTLINE (BSVIII) 2020
Course Title: Radio program Production
Course Code: COMS 417
Credit Hours: 03
Instructor: MISHA AKASH
Email: [email protected]
DESCRIPTION AND OBJECTIVES
The course acquaints understudies with the essential handy and graphic parts of Radio Production. The course means to cover the essential components of News announcing, News composing, News recording, News blending and News altering for communicate media. It further expects to acquaint them with various organizations, procedures and other specialized parts of generation for Radio.
INTENDED LEARNING OUTCOMES
This course is designed to familiarize students with the basic methods and techniques of radio production. Before the finish obviously the understudies will have the capacity to Analyze and portray diverse parts of Radio Production. Cover the essential components of News announcing, News writing, News recording, News blending and News altering for communicate media.
Compilation, creation and introduction of radio news notices and news reels. Also know about various configurations, methods and other specialized parts of creation of various program designs for Radio.
COURSE CONTENTS
Basic Concept of Radio
Objective of broadcasting in Pakistan
News values and elements
News stories
News Reporting
Fundamental of Radio News Writing
Radio News Production
Distinctive features, scopes, sources and targets of news.
Script writing for radio formats, styles and drafting.
Choice of Words and broadcasting language.
Difference between Radio Feature, Radio Documentary, Radio Drama and Montage.
Trends of FM Radio in public & private sector in Pakistan.
Presentation on the final work produced Add Description
READINGS
Srivastava, H.O. (2000). Broadcast Technology: A Review. New Delhi: Gyan Books Pvt. ltd.
Page. David and Crawley. William. (2001). Satellites Over SouthAsia: Broadcasting, Culture and Public Intrest.0xlbrd: Oxford University Press
Robert McLeish, Jeff Link (October 8, 2015) Radio Production , 6 edition, Publisher: Routledge
Carl Hausman, Frank Messere, Lewis B. O'Donnell, Philip Benoit (January 1, 2012)Modern Radio Production: Production Programming & Performance, Publisher: Cengage Learning; 9 edition
Chris Priestman, Publisher: Focal Press; 1 edition (January 9, 2002)Web Radio: Radio Production for Internet Streaming.
NEELAMALAR, M( 0ctober ,2012) RADIO PROGRAMME PRODUCTION Publisher: Phi,Language: English ISBN-10: 9387472167 ISBN-13: 978-9387472167
Shawn VanCour, Publisher: Tantor Audio,Audible.com Release Date: December 4, 2018 Making Radio: Early Radio Production and the Rise of Modern Sound Culture Language: English,ASIN: B07KPKSGYC
Bob Gilmurray, Publisher: lulu.com (February 5, 2013)The Media Student's Guide to Radio Production Language: English,ISBN-10: 1446134466
Donald W. Connelly, Publisher: Waveland Press, Inc.; 3 edition (March 10, 2017),Digital Radio Production: Third Edition , Language: English,ISBN-10: 1478634189
Sterling. Christopher 11(1994).Electronic Media. New York.
Wilby. Pete. (1996).the radio hand book. London: Rutledge.
COURSE SCHEDULE
Week
Topics and Readings
Books with Page No.
Basic Concept of Radio
Intro
History
Srivastava, H.O. (2000). Broadcast Technology: A Review. New Delhi: Gyan Books Pvt. ltd. Pg,233to245
Objective of broadcasting in Pakistan
NEELAMALAR, M( 0ctober ,2012) RADIO PROGRAMME PRODUCTION
News Values and elements
Bob Gilmurray, Publisher: lulu.com (February 5, 2013)The Media Student's Guide to Radio Production
News Stories
Tyoes of News
Sources of News
Donald W. Connelly, Publisher: Waveland Press, Inc.; 3 edition (March 10, 2017),Digital Radio Production: Third Edition,pg,366to 401
News Reporting
Carl Hausman, Frank Messere, Lewis B. O'Donnell, Modern Radio Production: Production Programming & Performance, pg 155to172
Fundamental of Radio News Writing
Radio News Production
Page. David and Crawley. William. (2001). Satellites Over SouthAsia: Broadcasting, Culture and Public Intrest.0xlbrd: Oxford University Press, pg 125to 231
Revision
Distinctive features, scopes, sources and targets of news.
Script writing for radio formats, styles and drafting.
Wilby. Pete. (1996).the radio hand book. London: Rutledge. Pg 321,347
Choice of Words and broadcasting language.
Chris Priestman, Publisher: Focal Press; 1 edition (January 9, 2002)Web Radio: Radio Production for Internet Streaming. Pg 411to433
Difference between Radio Feature, Radio Documentary, Radio Drama and Montage.
Bob Gilmurray, Publisher: lulu.com (February 5, 2013)The Media Student's Guide to Radio Production,pg 245to257
Different between FM, AM, SW and MW.
Donald W. Connelly, Publisher: Waveland Press, Inc.; 3 edition (March 10, 2017),Digital Radio Production: Third Edition,pg 355.377
Trends of FM Radio in public & private sector in Pakistan.
Chris Priestman, Publisher: Focal Press; 1 edition (January 9, 2002)Web Radio: Radio Production for Internet Streaming.
:Pg :245to257
NEWS bulletin RECORDING
RESEARCH PROJECT /PRACTICALS/LABS/ASSIGNMENTS
Practical
Students are required to produce and edit their own Final Project for the successful completion of the semester (15-20) minute duration.
Pre-requisite
Students should have basic knowledge of Media and increasing influence of social media over traditional media.
Important Dates Start Date 13-01-2020 End Date 08-05-2020
1st Assignment week 05 2nd Assignment Week 13
ASSESSMENT CRITERIA Sessional: Presentation: 10 Attendance: 5 Assignment: 5 Mid-Term: 30 Final exam: 50
RULES AND REGULATIONS
• 80 % class attendance is a must.
• Assignments would not be accepted after the due date.
• Originality of work would be ensured in case of assignments.
• In group presentations, group members have to divide the sub-topics in consultation with the teacher.